By Giuseppe Cafiero
Though Vincent van Gogh never married, there were a number of women who influenced his life and art.
Perhaps the most important of these was his mistress, prostitute Clasina Maria Hoornik and with whom Vincent lived between 1882 and 1883 in The Hague, Holland. Known as ‘Sien’, she was the subject of a number of portraits by the artist, capturing the hardships of poverty, including one of his most celebrated drawings, Sorrow.
Sien was already the mother of two children and the cohabitation gave Vincent the feeling of a surrogate, but important, paternity. Sadly, the relationship was not approved by his peers or family and at his brother Theo’s urging, Vincent left Sien in 1883 to paint in Drenthe. It marked the end of the only domestic relationship that he would ever know. Sien married in 1901 but committed suicide only three years later, throwing herself into the Schelde river – something she had foretold to Vincent many years before.
Augustine Roulin was another of the important women in van Gogh’s life. Her husband, a friend of Vincent during his time in Arles, France, has already sat for the artist and he would go on to paint all the Roulin family before his breakdown in 1889. He captured Augustine beautifully in a series of portraits which he entitled ‘La Berceuse’, meaning “lullaby, or woman who rocks the cradle”.
Also in Arles, Vincent struck up an acquaintance with Madame Ginoux, who with her husband ran the Café de la Gare, where van Gogh lodged from May to September 1888 prior to moving into the Yellow House with Gauguin. Her sitting led to a group of portraits called L’Arlesienne (“the woman from Arles”), which display Vincent’s characteristic bold colours and sharp outlines.
One final woman who deserves mention is Johanna van Gogh-Bonger, the wife of Vincent’s brother, Theo. Van Gogh loved her deeply because she had given him a nephew, another substitute and consolation for not having children of his own. Her greatest contribution, however, came after her brother-in-law’s death in 1890. She played a key role in the growth of Vincent’s reputation through the editing and publishing of his and Theo’s correspondence, and the donations of his works to the first retrospective exhibitions.
Vincent Van Gogh: the Ambiguity of Insanity by Giuseppe Cafiero is out now as an audiobook on Amazon, Audible.com and iTunes
About the Book
Title: Vincent Van Gogh: The Ambiguity of Insanity
Author: Giuseppe Cafiero
An abrasive itinerary of the presence of women, the landscape and obsession. Such are the internal paradigms that went through the compelling life of the Post-Impressionist painter Vincent van Gogh.
Not flesh and blood women, but the woman as a guide: Mrs. Jones, the woman as a mother; Kee Vos; Christine Hoornik of Siena; Margot Begemann. The Portrait-women such as Augustine Roulin and Madame Ginoux. And then the backgrounds, endless, unforgettable in this genius’s works: Isleworth, Amsterdam, le Borinage, Arles, St. Remy, Auvers-sur-Oise, where Vincent van Gogh spent his life trying to capture the colors, the atmosphere, the light.
The pain of finitude and his obsession with achieving redemption through art, with intimate and stormy religiosity, with brotherly love, with the French noon sun and, in short, with death. A hard-working and unwavering life where art interacted, in a painful gesture, with the iron will of a hand that never lost its way.
The life of a beloved and devoted man, silenced by the anguish and despair of creation, who could only find peacefulness when he found his own death.
Vincent Van Gogh: the Ambiguity of Insanity is a fictionalized biography and gripping novel of the life of the Nineteenth-Century Dutch painter Vincent van Gogh. The author, Giuseppe Cafiero, draws a psychological portrait of the Post-Impressionist painter through the women that marked his life and the cities in which he lived.
Title: The Sanguinarian Id
Born in 1993, L. M. Labat stems from New Orleans, Louisiana. From the struggles of a broken family and surviving life-threatening events, Labat found refuge within the arts while delving into the fields of medicine, psychology, and the occult. While combining illustration and literature, L. M. Labat was able to cope with endless nightmares as well as hone in on artistic techniques. From confronting the past to facing new shadows, this author gladly invites audiences into the horror of The Sanguinarian Id.
